STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
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Reputation murderers
GORDON PARSONS relishes a fast moving production of Sheridan’s comic masterpiece
The cast of School for Scandal
[Marc Brenner]
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
The School for Scandal
The Royal Shakespeare Theatre, Stratford-Upon-Avon
RECOGNISED as an actors’ play, Richard Sheridan’s 18th-century satire on contemporary manners has long been long recognised as a comic masterpiece.
The playwright would assuredly have been delighted with Tinuke Craig’s new production. Along with her Set and Costume Designer, Alex Lowde, she has created an essentially modern treatment which never forgets that it celebrates its own time while constantly nudging its audience to recognise itself.
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