STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Macbeth
The Royal Shakespeare Theatre, Stratford-upon-Avon
THERE has long been an ongoing question at the RSC as to how to present Shakespeare to modern and, it is hoped, more youthful audiences.
There is a moment in Wils Wilson’s new production of Macbeth clearly indicating how we are encouraged to respond to this version of Shakespeare’s most profound treatment of the corrupting futility of ruthless ambition.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is intrigued by a biography of the Marxist intellectual and author, made from the point of view of his son
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


