STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Latest editorial
Nightmare in the sun
MAYER WAKEFIELD finds himself caught in the crossfire during a riveting piece of activist theatre
IS THERE AN IMPERIALIST IN THE ROOM? Davinia Hamilton in Blanket Ban
[Ali Wright]
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
Blanket Ban
Southwark Playhouse
BLANKET BAN is as much activism as it is theatre.
Marta Vella and Davinia Hamilton, two Maltese Londoners, have created a startling call to action for abortion rights which is funny, illuminating, a little uneven and at points devastating.
With some of the most liberal social laws in Europe, 300 days of sunshine and a “party all the time” attitude to life, the Mediterranean island of Malta is initially painted as a paradise. That illusion is quickly shattered for one member of the audience in particular — this sheepish reviewer himself — who is jokingly chastised for Britain’s 150-year colonial rule.
Similar stories
DENNIS BROE recommends two new series on Apple TV for their examination of inequality and skewed morals
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth