KEVIN DONNELLY suggests that the task of transforming cultural spaces is far from over and that photography still has a key role to play
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'I was intrigued by Bitches Brew rawness, abruptness, tightness and looseness’
CHRIS SEARLE speaks with trumpeter Charlotte Keeffe
Charlotte Keeffe
[Nick Brittain]
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new series The Story of Documentary Film
ALAN MORRISON welcomes a new collection from the most imaginative and committed ecopoet of our time
CAL McBRIDE relishes the lyrical truth of an unstable identity in an over-tidy and conventional social realist treatment
New releases from Shearwater, Florry, and Navy Blue
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
IN THE final lines of her sleeve poem of her debut album, Right Here, Right Now, the young trumpeter from Boston, Lincolnshire, Charlotte Keeffe writes: “Right here, right now / Breathe / Creative freedom for all!”
It is a telling message, burning from the lips of her own hornplay, whether as soloist, in a duo, quartet in a conduction setting with a large improvising ensemble — all formats are erupting from the sonic power of her album.
“Both my amazing parents are retired primary schoolteachers, always supportive of my music-making,” she told me. “My mum loves singer-songwriters like Joni Mitchell and Joan Armatrading and my dad adores a wide range of music, more on the instrumental side.
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