STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Sarah
The Coronet Theatre
ADAPTED from Scott McClanahan’s semi-autobiographical novel this amusingly dark dismantling of the American Dream is brilliantly performed by Jonathan Singer as Scott.
Addressing the audience directly, Scott opens his monologue by boasting that he is a skilled and experienced drunk driver. His description of a close call with a traffic cop veers from amusingly anarchical to childishly destructive, but the humour is undercut when he introduces the potential ramifications of his actions with his distressed children being his forgotten passengers.
New releases from Old Spot, Chris Marksberry, and Clementine Lovell
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
New releases from The Dreaming Spires, Bruce Springsteen, and Chet Baker


