STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Pissarro: Father Of Impressionism
Ashmolean Museum Oxford
ACCORDING to the marketing bumf for the current exhibition at the Ashmolean Museum in Oxford, Camille Pissarro is the Father of Impressionism.
I first discovered his art when I was working in London. I loved the Impressionists and so made a trip to the Courtauld Institute where I came across his painting of Lordship Lane Station, Dulwich (1871). This made a big impression (ha!) as at the time I was renting a room in the same Lordship Lane, Dulwich.
JIM JUMP describes how artists in Britain rallied to the anti-fascist cause
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist


