STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Max Cooper
The Roundhouse
AN ambient murmur can be heard from inside the Roundhouse’s colosseum-esque interior — complete with its frustrating pillars that support its roof and do a great job of getting in the way.
Of course, the atmospheric rumblings means Max Cooper has just started his set — what will be an epic three-hour marathon — showcasing not just his impressive latest release Unspoken Words but past favourites and a decidedly clubby techno mix.
New releases from Old Spot, Chris Marksberry, and Clementine Lovell
WILL STONE witnesses an experimental piano concerto inspired by the work of a young Jewish victim of the Nazis
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms


