STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
The Red Lion
Bristol Old Vic, The Weston Studio
PATRICK MARBER’S tightly written three-hander is both a paean and a critique of the beautiful game. Set in a the changing room of a semi-pro, non-league soccer team riding at the top of their league, traditional values and club loyalty face the challenge of the modern financial game.
The clash of ethics plays out around the new wunderkind discovery, Jordan trapped between fallen, local legend and now loyal, club kit man, Yates and bullish, ambitious manager, Kidd.
Thomas McGee does a solid job on his stage debut as the damaged youngster attempting to find his place in the murky world of football arrangements, agents and transactions where his principles and need for success are under strain from the outset.
In the second part of LAYTH YOUSIF’S history of the New York Cosmos, he reflects on their stunning reboot
In the first of a three-part series, LAYTH YOUSIF visits a community-driven club in blue-collar Paterson, New Jersey, with a rich heritage that is rising once again
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective


