CHRIS SEARLE recommends a work of love and deep admiration for a great musician
Paula Rego
Tate Britain, London
FIGURATIVE art has become fashionable again, apparently.
Yet the extraordinary Paula Rego probably couldn’t care less. Pushing on through the fashionable Young British Artists era of the 1980s, she has always drawn and painted what she needed to.
Born in Portugal in 1935, she was brought to England by parents opposed to the fascist Salazar regime — God, Homeland and Family was one of its guiding slogans and the Female Portuguese Youth was set up to train girls for domesticity.
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist


