DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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Thin Places
Solace for troubled soul in Ireland’s natural world
THE INSPIRER: poet Paul Muldoon
[Alejandro Arras/Creative Commons]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
KERRI NI DOCHARTAIGH’S Thin Places comes in on a tidal wave of nature books. Alarm at the speed of destruction of the natural world has set many writers to work and many publishers to spot a market.
Described as “a mixture of memoir, history and nature writing,” Ni Dochartaigh in this, her first book, turns to wild places and animals as a form of psychic escape.
It is the traumatic legacy of the Northern Ireland Troubles that creates the constantly unsettled fugitive, finding balm in the wild swimming she loves, in rivers, lakes and seas flowing through what she calls “thin places.”
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