STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
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Brecht in all his greatness
The publication of the collected poems of Bertolt Brecht in English is cause for celebration, says ANDY CROFT
Wise, sad, defeated, defiant: Bertolt Brecht
[Jorg Kolbe/Wikipedia]
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
JAN WOOLF relishes an extensive history of our long relationship to trees in Britain that underlines the current emergency
DIANE WATT argues that while evidence of sex is not there, a 16th‑century lesbian poet could be Scotland’s answer to Gentleman Jack
NOT many poets’ reputations can survive the publication of their entire life’s work in a single breezeblock volume.
Even the best can seem repetitious and their finest work diminished alongside weak, juvenile or unfinished poems. Among 20th-century poets, there are only a few who may be said to pass this test and all were communists – Louis Aragon, Pablo Neruda, Nazim Hikmet, Yiannis Ritsos and Bertolt Brecht.
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