The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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Horn of plenty from the protean Jim Rattigan
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
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CHRIS SEARLE recommends a work of love and deep admiration for a great musician
Jim Rattigan, Thomas Gould and Liam Noble
Triplicity
(Pavillon)
Pavillon
Strong Tea
(Pavillon)
FRENCH horn player Jim Rattigan took a very different route to becoming a jazz virtuoso. Born in 1960, his musical progress as a young musician eventually found him playing in the Royal Philharmonic Orchestra in his late twenties but then he broke through into jazz.
Performing with many seasoned maestros in their bands and orchestras, from the Michael Brecker Quindectet and the McCoy Tyner Big Band to Charlie Haden’s Liberation Music Orchestra, he is an unusually protean musician, with his horn also featuring on recordings of James Bond themes, Shirley Bassey, George Michael and Paul McCartney.
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