GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem

GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring

GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship

GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today