The Tories introduced the 50% strike ballot threshold to make industrial action harder. MATT WRACK argues that a Labour government has no justification for leaving it on the statute book
SINCE Ken Loach began directing in 1964, he has been invited to Cannes may times, winning the Palme D’Or twice with The Wind That Shakes the Barley in 2006, and 10 years later with the trenchant and timely I, Daniel Blake.
I caught the debut of his latest, Sorry We Missed You, a powerful, visceral, and passionately lucid film that probes Britain, giving a masterful depiction of a modern working-class family.
Ricky, Abby and their two children are a lovely family who care for each other. Ricky wants a better future for them and decides to sell his wife’s car to buy a van and work as a freelance driver for a big company. However, the conditions of his contract are strict, with all burdens placed on him alone, never shared by his employer.
Lesbians and Gays Support the Miners co-founder MIKE JACKSON talks to Matt Kerr about the enduring power of Pride, protest and trade unionism
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new panorama of world cinema The Story of Documentary Film
RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
Rita Di Santo speaks to Hungarian director LASZLO NEMES about his new film, a portrait of the French Resistance leader and hero, Jean Moulin


