STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
BELOW-STAIRS maids never get placed centre stage, even though there can be no romance without clean sheets and that’s the premise of Glasgow-based Blood of the Young’s adaptation of Pride and Prejudice.
It’s a slightly misleading framing of Isobel McArthur’s update of Jane Austen’s novel, which only gives superficial attention to the servants. Yet, directed by Paul Brotherston, it’s nonetheless a delightfully raucous production that swaps the book’s ironic politeness for direct, expletive-rich humour.
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
SUSAN DARLINGTON swoons in the presence of a magnetic frontman
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint


