MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
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Powerful depiction of injustice
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
Killymuck
Underbelly
Bristo Square
Edinburgh
It’s hard to believe Aoife Lennon didn’t write Killymuck and that she’s not actually called Niamh.
Kat Woods’s mesmerising play begins with Lennon, its sole performer, enacting her birth and ends soon after the death of her father.
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SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong